Rio San Vio
View from Hotel American
(Click Photos to Zoom)
Perhaps it was the jet lag but at 3:00 AM, Al was up and out experimenting with night
photography. Or it could have been the mosquitoes. Live on a canal in warm weather,
leave the windows open at night, and a mosquito will find you. We purchased some
repellant, put it on ourselves, set the tube on the nightstand with the cap off, and
were never bothered again.
Before leaving home, we had reserved tickets for a performance of Puccini's Tosca.
Since La Fenice, the grand opera house of Venice, was destroyed by fire in 1996, operas
have been performed in various venues around the city. Tosca was to be performed in a huge
tent on the island of Tronchetto. The only means of getting there was by vaporetto,
so we decided to scout the location to get an idea how long it would take to get there.
The vaporetto (motorboat bus) is a great bargain in an expensive city. A seven-day
pass, costing 30 euros, permits you to use a vaporetto at any time for a week. This
allows great flexibility in moving about the town. Without the pass, one has to consider
the pros and cons of walking a long distance or paying for a one-way or round-trip ticket.
Once we bought our seven-day pass, we never had to think about anything except our own
whims as we moved about the city.
Il Ponte di Rialto
After checking out the logistics for the evening's trip to Tronchetto, we intended to
head out to the islands of Murano and Burano. Unfortunately, I got us onto the wrong
vaporetto and we ended up at the Rialto Bridge. Just as well, though, because it soon
began to sprinkle.
Putting the Top Up on a Gondola
We occupied our time by purchasing tickets for three more musical
events that interested us. When it began to rain, we ducked into Pizzeria al Burchiello
on the Campo Santa Maria Formosa. Afterwards we walked in the rain back to the hotel, via
Piazza San Marco and the Accademia. Al's brolly jammed and had to be dumped, leaving us
with just one.
The rain let up just enough for us to get to the opera tent before a new downpour.
The doors finally opened and we were shown to our seats in the center of the first row.
Great! Better than any seats we've had in any other opera house! But wait. A peek
into the orchestra pit revealed that the conductor would be standing on a podium that
would raise him directly into our line of sight. Sure enough, when Maestro Mauricio Arena took
his place on the podium, he loomed above the orchestra and blocked our view of parts of
the stage. The poor lady to our right, who was directly behind Arena, had much more of
her view obscured. We, at least, were just enough off-center to be able to see most of
the staging. The performance was not exceptional but enjoyable nonetheless.
The Grand Canal at Night
The rain had stopped as we caught a late vaporetto back to the hotel. It was after
11:00 but the canal was dark. Or rather, all the buildings on the Grand Canal were dark.
No lights. Here is a beautiful canal, with people gliding by on boats at night, and
the buildings were dark. What a shame that Venetians don't realize how beautiful their
city would look at night if the buildings were illuminated. The cost of lighting would
pay for itself.
We returned to the Dorsoduro about midnight. Although hungry, we could find nothing open nearby. Our neighborhood around
the Rio di San Vio shuts down by 10:00.
Venice Photo Album:
Rio di San Vio in the Siestre di Dorsoduro